Ann Saddlemyer Award/ Le prix Ann Saddlemyer

Named in honour of the association’s co-founder, the Ann Saddlemyer Award goes to the best book published in English or French in a given year. The winning book should normally be broadly on a Canadian topic, and should constitute a substantial contribution to Canadian Theatre and Performance Studies.

Le prix Ann Saddlemyer récompense chaque année le meilleur livre de langue anglaise ou française qui a été publié l’année précédente. Le livre gagnant devrait normalement porter largement sur un sujet canadien et devrait constituer une contribution substantielle aux études canadiennes sur le théâtre et la performance.

Deadline: January 2020.

2019 Winner:

Natalie Alvarez, Immersions in Cultural Difference: Tourism, War, Performance (U of Michigan Press, 2018)

CITATION:

The Ann Saddlemyer Committee is pleased to present this year’s award to Natalie Alvarez for her book, Immersions in Cultural Difference: Tourism, War, Performance (University of Michigan Press).

Both theoretical treatise and reportage, this dense and extraordinarily rigorous book uses an interdisciplinary analytic lens to skillfully situate immersive simulations within the context of capitalist “experience economy.” Its strengths include Alvarez’s finely nuanced detail as she recounts her personal experience of immersion in each case study, and the ease with which she moves from deep analysis to humourous anecdote. We hear her voice throughout, and the committee was deeply impressed by her self-questioning of the moral and ethical dilemmas of her fieldwork. Her book is an important contribution that has much to offer scholars in and beyond the field of theatre and performance studies

2019 Committee: Alan Filewod (Chair), Magdalena Kazubowski-Houston, Robin Whittaker


Past Winners

2018 - Ric Knowles, Performing the Intercultural City (U of Michigan Press, 2017).

2018 (Honourable Mention) - Barry Freeman, Staging Strangers: Theatre and Global Ethics (McGill-Queen’s UP, 2017).

2017Rick Cousins. Spike Milligan’s Accordion: The Distortion of Time and Space in The Goon Show. Leiden, Boston: Brill Rodopi, 2016.

2016 - Nicole Nolette, Jouer la traduction : théâtre et hétérolinguisme au Canada francophone. U of Ottawa Press, 2015.

2015 - Laura Levin, Performing Ground: Space, Camouflage, and the Art of Blending In. New York: Palgrave Macmillan, 2014.

2014 - R. Darren Gobert, The Mind-Body Stage: Passion and Interaction in the Cartesian Theater. Stanford UP, 2013.

2014 - (Honorable Mention) Virginie Magnat, Growtowski, Women and Contemporary Performance: Meetings with Remarkable Women. New York: Routledge, 2014.

2013 - Heather Davis-Fisch, Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition. New York: Palgrave 2012.

2013 - Jenn Stephenson, Performing Autobiography: Contemporary Canadian Drama. Toronto: University of Toronto Press, 2013.

2013 - Honorable Mention: Kirsty Johnston, Stage Turns: Canadian Disability Theatre. Montreal: McGill-Queen's University Press, 2012.

2012 - Alan Filewod, Committing Theatre: Theatre Radicalism and Political Intervention in Canada. Toronto: Between the Lines, 2011.

2011 - Erin Hurley, National Performance: Representing Quebec from Expo 67 to Celine Dion. Toronto: University of Toronto Press, 2010.

2011 - Magdalena Kazubowski-Houston, Staging Strife: Lessons from Performing Ethnography with Polish Roma Women. McGill-Queen’s University Press, 2009.

2010 - Candida Rifkind, Comrades and Critics: Women, Literature & The Left in 1930s Canada. Toronto: University of Toronto Press, 2009.

2009 - Sherrill Grace, Making Theatre: A Life of Sharon Pollock. Vancouver: Talonbooks, 2008.

2008 - Michael McKinnie, City Stages: Theatre and Urban Space in a Global City. Toronto: University of Toronto Press, 2007.

2007 - Louise Ladouceur, Making The Scene: La traduction du théâtre d’une langue officielle à l’autre au Canada. (Québec: Editions Nota bene, 2005)

2005 - Kym Bird, Redressing the Past: The Politics of Early English-Canadian Women’s Drama, 1880-1920. Montreal: McGill-Queen’s University Press, 2005.

2005 - Honorable Mention: Ric Knowles Reading the Material Theatre Cambridge: Cambridge UP, 2004.

2003 - Alan Filewod, Performing Canada: The Nation Enacted in the Imagined Theatre. Textual Studies in Canada Monograph Series: Critical Performance/s in Canada, 2002.

2003 - Honorable Mention: Diana Brydon & Irena R. Makaryk eds. Shakespeare in Canada: A World Elsewhere? Toronto: University of Toronto Press, 2002.

2001 - Ric Knowles, The Theatre of Form and the Production of Meaning: Canadian Dramaturgies. Toronto: ECW Press, 1999.

1999 - Leonard E. Doucette, The Drama of Our Past: Major Plays from Nineteenth-Century Quebec. Toronto: University of Toronto Press, 1997.

1997 - Paula Sperdakos, Dora Mavor Moore: A Pioneer of Canadian Theatre. Toronto: ECW Press, 1995.

1995 - Gilbert David et Pierre Lavoie, eds. Le Monde de Michel Tremblay: Des Belles-soeurs à Marcel poursuivi par les chiens. Montréal: Lansman, 1993.

1994 - Rémi Tourangeau, Fêtes et spectacles du Québec: Région du Saguenay-Lac- Saint-Jean. Québec: Nuit Blanche, 1993;

1993 - Diane Bessai, The Canadian Dramatist volume 2: Playwrights of Collective Creation. Toronto: Simon & Pierre, 1992.

1992 - Denis Johnston, Up the Mainstream. Toronto: University of Toronto Press, 1990.

1991 - Anni Brisset, Sociocritique de la traduction: Théâtre et altérité au Québec (1968- 1988). Longueuil: Préambule, 1990.

1990 - Chantal Hébert, Le burlesque québécois et américain. Textes inédits. Québec: Presses de l’Université Laval, 1989.

1989 - Bronwyn Drainie, Living the Part: John Drainie and the Dilemma of Canadian Stardom. Toronto: Macmillan, 1988

1989 - Jean-Luc Bastien & Pierre MacDuff, eds. La Nouvelle Compagnie théâtrale. En scène depuis 25 ans. Montréal: VLB, 1988.