Online Paper Panel 4: Performance Histories in Transition

2026-04-02T05:01:19+00:00April 2, 2026|

Location: Zoom Room 2 Zoom Link: [TBA] Abstracts: T. Nikki Cesare Schotzko and Giorelle Diokno, "TradWife Strife: Ecologies of Performative Femininity, Conservatism, and Identity Politics in Contemporary Social Media" A New York Times’ 6 November thrice-retitled op-ed, “Did Women Ruin the Workplace: And if so, can conservative feminism fix it?” [...]

Online Roundtable 1: Deshogarse: Memoria Histórica and Salvadorian Women’s Testimonio Performance in Canada

2026-04-02T05:00:09+00:00April 2, 2026|

Location: Zoom Room 1 Zoom Link: [TBA] Abstract: This roundtable emerges from a community-based theatre project, ‘Masa & Memories’ in development that centres the voices of Salvadorian women across three generations living in Toronto, canada. Rooted in teatro popular, testimonio practices, the project asks: How might rehearsal become a site [...]

Online Roundtable 2: Canadian Theatre and Cross-Cultural Dialogues

2026-04-06T17:51:15+00:00April 2, 2026|

Location: Zoom Room 2 Zoom Link: [TBA] Abstract: In celebration of the 50th anniversary of the Canadian Association for Theatre Research, this roundtable brings together international scholars and artists who work within the cross-cultural exchange of Canadian plays through adaptation, transnational production, research, and teaching. Participants from Africa, Europe, and [...]

Online Working Group 1: Performance, Migration, and Nationalism

2026-04-02T04:58:37+00:00April 2, 2026|

Location: Zoom Room 3 Zoom Link: [TBA] Abstract: The CATR 2026 conference invites us to reflect on the inheritances of our field at a moment of profound political and cultural transition, marked by rise of right-wing nationalisms, climate change, polarizing technologies, forced displacement, and shifting geopolitical power. Theatre, dance, and [...]

Online Paper Panel 3: Re/Imagining Performance Inheritances

2026-04-02T04:57:46+00:00April 2, 2026|

Location: Zoom Room 2 Zoom Link: [TBA] Abstracts: Robert Allan, "Cross disciplinary applications of creativity development in post-secondary non-vocational musical theatre education" Musical theatre education in the post-secondary sector is heavily weighted towards vocational training, aiming to produce (or reproduce) performers capable of fitting into the moulds required by commercial [...]