Essays Section Editor: Yana Meerzon (Canada) The “ESSAYS SECTION” is dedicated to urgent issues related to theater and performance making, ways of thinking and writing about theatre and performing arts, ways of viewing and reflecting practices, pedagogies of performance and text analysis, practices of dramaturgy, interdisciplinarity, transcultural approaches and digitalization of [...]
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TRIC/RTAC invites submissions of articles and forum pieces for its Spring 2023 issue. TRIC/RTAC is Canada’s only peer-reviewed journal with an explicit focus on Canadian and Québécois theatre in both official languages and a dedication to supporting research that explores Indigenous theatre and performance cultures. We welcome submissions in English and French for [...]
CD-T-175-TCS-Performance-CRC-Aug-24-2022-JPDownload Located in downtown Toronto, the largest and most culturally diverse city in Canada, and on the territory of the Anishinaabeg, Haudenosaunee, the Mississaugas of the Credit and the Wendat Peoples, the School of Performance in The Creative School at Toronto Metropolitan University [TMU] (formerly Ryerson University) invites applications from candidates who self-identify as Black peoples of African [...]
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The 31st annual Festival of Original Theatre (FOOT) conference at the University of Toronto’s Centre for Drama, Theatre, and Performance Studies invites proposals to our conference “We Live Together” taking place February 9-11th, 2023. “We Live Together” is as much a question as a mission statement. This phrase suggests broad responsibility [...]
THE PXR CONFERENCE, hosted by Single Thread and Electric Company Theatre, celebrates the evolution of live performance in virtual, augmented and mixed realities. Now in its 3rd year, this national event brings Canadian creators together using a virtual reality platform to share best practices for working within these new [...]
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