Paper Panel 27: Pedagogies for Change

2026-05-09T13:19:33+00:00April 2, 2026|

Location: Barbara McIntyre Theatre Moderator: Stephen Johnson Claire Fogal, "Relational Performance Pedagogy as Creative Inheritance" This paper shares the key findings of my 2024 UBC dissertation “Relational Performance Pedagogy: Decroux and Grotowski based innovations in Western Canada.” The project was personal, investigating the entwined training inheritance I’ve received from my [...]

Paper Panel 26: Assembly, Authority & Encounter

2026-05-09T13:18:35+00:00April 2, 2026|

Location: Design Room Moderator: Kelsey Jacobson Tracy Ross, "ART/IF/ACTS: Rehearsing Embodied Futures in University Space" From my overlapping positions as lecturer, doctoral student, artist, and parent, I trace the worn paths of a corporate university where exhaustion, disconnection, and “hope circuits” are frayed. My doctoral work asks: how might we [...]

Praxis 11: Dementia and Performance: Creative Co-Creation Method

2026-05-13T12:50:23+00:00April 2, 2026|

Location: PNX140 Abstract: Over the past decade, participatory arts initiatives involving people with dementia have grown significantly across North America and Europe. Recent scholarship emphasizes the importance of involving people living with dementia as active, creative consultants and co-creators, rather than positioning them as passive recipients of arts-based programming. In [...]

Curated Panel 9: Staging Better Futures/Mettre en scène de meilleurs avenirs: Transforming the inheritances of Canadian theatre higher education

2026-05-11T22:34:43+00:00April 2, 2026|

Location: Roger Bishop Theatre Moderator: Nicole Nolette Abstract: This curated panel will present the ongoing work of Staging Better Futures/Mettre en scène de meilleurs avenirs, a cross–Canada, industry-academic partnership fostering decolonization, anti-racism, equity, diversity, and inclusion, and access (DC/AR/EDIA) in post-secondary theatre education and funded by a SSHRC Partnership Grant [...]

Seminar 4: Theatre as Service

2026-05-11T11:44:54+00:00April 2, 2026|

Location: PNX138 Abstract This working group gathers artists and academics around the provocation that theatre is a form of service. Inspired by Audre Lorde’s well-known contention that “poetry is not a luxury”, this working group asks what theatre does in the larger cultural and economic landscape. Drawing from Alex Sarian’s [...]

Paper Panel 25: Performances of Ethics & Relationality

2026-05-09T13:07:25+00:00April 2, 2026|

Location: Barbara McIntyre Theatre Moderator: Alex Ferrone Magdalena Kazubowski-Houston, "Randia’s Quiet Theatre: Performing Care and Activism with a Romani Elder" Drawing on my book, Randia’s Quiet Theatre: Performing Care and Activism with a Romani Elder, this paper examines performance ethnography and autofiction as political sites for imagining alternative futures, more-than-human [...]

Paper Panel 24: Radical(ly) Mediated Performance

2026-05-16T21:52:26+00:00April 2, 2026|

Location: Design Room Moderator: Jennifer Roberts-Smith Shawn DeSouza-Coelho, "Playing Race Critically: Towards Exploring Embodied Negotiation of Racialized Theatrical Space" At an existential level, I have been undone by the colonial inheritance we call Canadian theatre. As a working professional of colour, I have been made through innocuous and injurious ways [...]

Praxis 10: Care of Trans Futures: Postcards towards Gender Liberation

2026-05-13T12:48:48+00:00April 2, 2026|

Location: PNX140 Abstract: Trans theatre challenges reified, cisnormative discourses that currently dominate media, political, and health contexts. While these prevailing discourses promote a single, unified version of transness, often filled with misinformation (Billard, 2024), trans theatre offers opportunities to embody alternative perspectives through genre agnosticism, fiction-as-autobiography, and non-hierarchical models of [...]

Curated Panel 8: A Gathering of Curiosities: Creative Encounters in Archival Performance Research

2026-05-16T21:44:39+00:00April 2, 2026|

Location: Chief Dan George Theatre Abstract: A birch bark canoe repair, feminist ephemera rekindled, scattered leaflets in a Quebec village, Edmonton in beadwork, Indigenous Passion plays and Chinese opera furnishings in the Pacific Northwest, Shakespeare and spitballs at Stratford, scripts of care for Disability performance, traces of labour and love [...]